You should highlight "In questa reggia" and "Tu che di gel sei cinta". These two are probably the best renditions of these two arias in the history of this opera. "Nessun dorma" was just ok.
0:36 Act 1 9:18 Perche tarda la luna？(今晩の月の出はなぜ遅いのだろう？） 20:39 Fermo! Che fai? （待て！何をするか？） 27:15 Signore, ascolta!（お聞き下さい、王子様） 30:00 Non piangere, Liu! (泣かないでくれ、リュー) 37:16 Act 2 51:11 Gravi, enormi ed impotenti （厳かに、大きく、堂々と） 55:15 Un giuramento atroce (残忍な誓いが） 1:02:09 In questa reggia （この宮殿の中で） 1:09:03 Straniero, ascolta! (異国の人よ、よく聞け！) 1:21:06 Tre enigmi m'hai proposto (あなたは私に謎をお出しになった！) 1:27:16 Act 3 1:30:55 Nessun dorma (誰も寝てはならぬ) 1:45:53 Tu che di gel sei cinta (氷のような姫君の心も) 1:54:05 Principessa di morte! (死の姫君！)
Eva Marton, una de las Grandes interpretes de Turandot, en vox Càlida y Expresiva, timbre 🛎️ Precioso y Ductil, vamos por mi gusto una Maravilla. Bravo, Bravísimo.🎉❤.
Thanks for sharing! By the way, I can't understand the intentions of costume and set designers. Because of costume and wig, the Chinese emperor Altoum looks like Aristotle of ancient Greece, not the emperor of ancient China... And set looks like a modern escalator lol
I saw this LIVE in Vienna in 1983 at the age of 13 in the uppermost balcony in the standing room on that floor. My only criticism is that we were in a venue where the sound is best on lower floors. I know that because although I've only been at that venue twice; the other time was when I saw Gotterdammerung in 2009 where I was in the standing room in the back centre of the orchestra level and the sound was loud enough when the music was supposed to be loud. It made up for the fact that we'd lost the opportunity to see Placido Domingo sing Rudolpho in a Zeffirelli production of La Boheme because the car of the train we were in from Prague got detached from the rest of the train and leaving us abandoned for long enough so that when we arrived in Vienna we were too late to re-confirm our tickets. The 1st thing we did when we arrived in Vienna was to go straight to the opera house were our tickets literally being sold auction style outside the venue when we showed up. One of college students actually started crying, poor fella! But I was happy to see this Zeffirelli production of Turandot w Jose Carreras, Eva Marton and Katia Ricciarelli. Besides: I prefer the music to Turandot than I do La Boheme.
Están los tres solistas bien de voz...la Marton muy bien...la Ricciarelli "todavía" bonita voz para Liu...y Carreras bonito timbre aún sin ser una voz tan heroica y apropiada para hacer un Calaf de categoría...en conjunto buena función con muy buena imagen y sonido.
di quest'edizione avevo le audio cassette che mio padre registrò dalla tv...poi ho acquistato il cd....credo sia il miglior live della Turandot come cast e direzione e regia
A spectacular performance! Turandot, Kalaf, Liu sing their role confidently and routinely. Orchestra has not intoned some notes very cleanly. The conductor treats tempos too slowly in some places, and in some notes too long. But you can hear a lot of positive differences from other performances. The conductor has studied the score well. Thanks very much! 圧巻のパフォーマンス！ Turandot、Kalaf、Liu は、自信を持って日常的に自分の役割を歌います。 オーケストラはいくつかの音符をきれいにイントネーションしていません。 指揮者はテンポを扱う場所によっては遅すぎたり、音符によっては長すぎたりします。 しかし、他のパフォーマンスとの多くの肯定的な違いを聞くことができます。 指揮者はスコアをよく研究しています。 どうもありがとう！ Eine spektakuläre Aufführung! Turandot, Kalaf, Liu singen ihre Rolle souverän und routinemäßig. Orchester hat manche Töne nicht ganz sauber intoniert. Der Dirigent behandelt Tempi an einigen Stellen zu langsam, manche Töne zu lang. Aber man kann viele positive Unterschiede zu anderen Aufführungen hören. Der Dirigent hat die Partitur gut studiert. Vielen Dank!
❤❤❤Estoy feliz de encontrar esta joya. Muchas gracias ❤❤❤❤ Eva es adorable NUNCA he olvidado su voz , jamás olvidaré que la escuché cantar en vivo en el Liceu…maravillosa Eva. Gracias por compartir.
Marton and Carreras are great. All of the other singers are very good. The production leaves a lot to be desired. Too minimalist. The palace staircase looks like a airline stairway for a propliner.
es mi opera preferida y esta en particular es espectacular, con los trajes y la puesta en escena que ya no te dejan ver en los teatros como en el Liceu de Barcelona que apuestan por unas mierdas modernas que no las entiende nadie
Hay una puesta en escena moderna que me encanta. El Calaf es prescindible, pero Liú y Timur harían llorar a las piedras, y sobre todo la muerte de Liú es bellísima. Detesto eso de mirar feo cualquier reinterpretación de la puesta en escena. Mientras no alteren la música...
@@monainfame Yo detesto la alteración de la obra, Puccini compuso una ópera y a quien no le guste que componga otra. Si entiendes el idioma y estudias el libreto te das cuenta que no hay lugar a interpretación. Cómo un cuadro o como una escultura.
Carreras con tutta la buona volontà non poteva mai essere Calaf Tenore spinto con squillo. Un buon lirico con suoni e tonsille aperte , suono aperto. Nemmeno il buon Domingo , piu potente ma con difficoltà negli estremi acuti. Nessuno può battere il Calaf bronzeo e squillante di Corelli. Per non parlare una delle migliori Turandot , se non la migliore La Nillson ..
Carreras no es para semejante opera esta al maximo y no impacta en el personaje. el mismo ya de grande admitio que no tenia que cantar operas tan exigidas. El maximo exponente del rol de calaf fue Franco Corelli
Fazit, nachdem ich´s zweimal live im Hause gehört habe: Die Auslotung der Partitur durch Lorin Maazel war atemberaubend. Ebenso Ricciarelli und der grandioseste Charaktertenor des letzten Jahrhunderts, Heinz Zednik, auf der Habenseite. Eva Marton und José Carreras in Partien, welche sie nie hätten singen sollen, rettungslos überfordert. Für welches Fach die Marton überhaupt passte, hab ich nie herausgefunden, ich hörte sie immer nur (Elektra, Eboli, Tosca etc. )verzweifelt brüllen. Carreras hat sich sogar verstiegen, in Salzburg "Radames" zu singen. Schade!
Callas war auch nicht für diesen Charakter. Nillson Ich weiß nicht ... Ich habe keine Lust, sie zu sehen. du hättest deiner Weisheit nach sagen sollen, welcher Sänger passt.
The sets designed for this was horrible - the two story stairway looked ridiculous - staging was awful - thank God for the magnificent music and voices.
Grandi interpreti ma il guaio e che devono confrontarsi con quei mostri che sono stati Corelli e Nilson , il miglior Calaf e la migliore Turandot di tutti i tempi.
opera singers can project their voice very far and loudly so when they sing face to face is the sound deafening for them? is marton deafened by carreras singing in her face two feet away?
Le voci sono tutte abbastanza adatte alla loro parte (ma in circolazione - oggi come allora - si possono trovare interpreti migliori, per ciascuno dei personaggi). I costumi sono discreti (anche se fanno spesso apparire il tutto un po' come un teatro di burattini, per non parlare dell'imperatore, che sembra appena uscito dalla sauna) ma le scene sono penose, in specie quella mostruosa scalinata che pare la scala mobile di un grande centro commerciale. Odioso poi il fatto che l'opera si interrompa ogni piè sospinto per dar spazio alla pubblicità!
I've watched about half of this so far. This doesn't compare to the 1987 version with Martin and Placido Domingo. You can find most of it on youtube. It is fantastic! Martin sang better there as well.
![Felix "Unfair" | [Stray Kids : SKZ-PLAYER]](http://i.ytimg.com/vi/Oswujxm2Ag0/mqdefault.jpg)
1:30:55 Nessun dorma (誰も寝てはならぬ)
thank you
You should highlight "In questa reggia" and "Tu che di gel sei cinta". These two are probably the best renditions of these two arias in the history of this opera. "Nessun dorma" was just ok.
@@lifeisgood3087" In questa reggia" - 1:02:09 - "Tu che di gel sei cinta" -1:45:53
@@lifeisgood3087 people hear Turandot and want to hear just Nessum dorma. They forget non piangere liu and princessa di morte
@@harlowsvideos3992 Agreed, and this is because they know nothing about opera.
今は亡きマゼール氏指揮のトゥーランドット。この演奏は、従来の演奏とはかなり異質な一線を画す演奏と私は思っています。このライブはレコード化され、私は持っております。演出もそうなのでしょう。かなり、音楽に空間が感じられます。つまり、楽譜通りに演奏しているのにも関わらず、音がギッシリ詰まった舞台ではなく、どちらかと言うと各セクションに空間さえかんじます。実は私は未だにこれを超える物を感じておりません。氏の音や全体を見渡す超人的な耳の成せる技なのでしょう。私が最初にトゥーランドットの全曲を氏のこの録音で始まったのは幸せでした。かなり以前、80年代初期？ですね。のライブです。主人公達の美しさも今、こうして録画で見ると際立っておりますね。氏は確かプッチーニ作品は全て録音されたはずです。氏の録音は日本では相当数出回っていて、優れた耳と音楽性によって難解な作品もらくらくと録音されています。今は懐かしい指揮者になりましたが、氏の名前は数々の録音によって、長く人々に聴かれて行くでしょう。💐
A me piace. Direttore orchestra e coro molto . Carreras e Ricciarelli nei loro ruoli . Mise en scene un vero disastro!
0:36 Act 1
9:18 Perche tarda la luna？(今晩の月の出はなぜ遅いのだろう？）
20:39 Fermo! Che fai? （待て！何をするか？）
27:15 Signore, ascolta!（お聞き下さい、王子様）
30:00 Non piangere, Liu! (泣かないでくれ、リュー)
37:16 Act 2
51:11 Gravi, enormi ed impotenti （厳かに、大きく、堂々と）
55:15 Un giuramento atroce (残忍な誓いが）
1:02:09 In questa reggia （この宮殿の中で）
1:09:03 Straniero, ascolta! (異国の人よ、よく聞け！)
1:21:06 Tre enigmi m'hai proposto (あなたは私に謎をお出しになった！)
1:27:16 Act 3
1:30:55 Nessun dorma (誰も寝てはならぬ)
1:45:53 Tu che di gel sei cinta (氷のような姫君の心も)
1:54:05 Principessa di morte! (死の姫君！)
❤❤❤❤muchas gracias
So grateful! Thank you! 🙏🏾
本番で何箇所か飛ばしつつ歌うので助かります🙇♀️
カレーラスがまだ若くて、そのすっきりしたハンサムぶりが心地よく、安心して見ていられますね。ただ、オペラを最初から最後まで全曲聴くのはなかなかしんどい！ やはり本来は劇場に行って、観客が一体化して見るべきものでしょう。そしてオペラに限らないが、音楽の評価は、何度も聴き、また、他の指揮者の演奏とも比べたりしてするものでしょう。私にとってまだなかなか入っていけないジャンルです。有名なアリアとか取り出して鑑賞する分には楽しいですが。オペラフリークになってみたいものです。
I have no words to express how much I love this opera.
To me Turandot is one the greatest musical works ever.
Eva Marton, una de las Grandes interpretes de Turandot, en vox Càlida y Expresiva, timbre 🛎️ Precioso y Ductil, vamos por mi gusto una Maravilla. Bravo, Bravísimo.🎉❤.
Splendido. Spettacolo quando nei. Teatri. L opera era. Magia…….PUCCINI…….genio assoluto!!!!!!!!!!!
The part from 31 to 36 minutes brings tears to my eyes every time.
この時、ステージの上でイーサンが暴れてたのか🥺
(mission impossible)
最後のトゥーランドット姫が「彼の名は愛！」と叫ぶときに仮面を外すのが素晴らしい👍
Carreras is wonderful as Calaf
My favourite version of Turandot❤
I cant believe this was already 40 years ago!!!
ESTA OPERA ES MARAVILLOSA EVA MARTON es fantastica en este personage ,hay un video con Placido Domingo que es divino , aqui Carreras esta espectacular
The absolute best "In questa reggia" and "Tu che di gel sei cinta". Both truly memorable. Decent "Nessun dorma".
Eva and Jose , they are not just great opera singers.
they also have excellent acting skills.
The singing is spectacular and you can even here the organ! The "stairway to heaven" looks like an escalator in Macy's.
It makes me want to break out into "In questa reggia" every time I'm going from watches & jewelry on the second floor to menswear on the first. ; )
34:22 Los pobres bronces, asfixiándose mientras Carreras demoraba en golpear el gong 😨
Thanks for sharing! By the way, I can't understand the intentions of costume and set designers. Because of costume and wig, the Chinese emperor Altoum looks like Aristotle of ancient Greece, not the emperor of ancient China... And set looks like a modern escalator lol
音楽の授業でオペラ、ミュージカル、バレエについてやった時これ見た
Splendida interpretazione
I saw this LIVE in Vienna in 1983 at the age of 13 in the uppermost balcony in the standing room on that floor. My only criticism is that we were in a venue where the sound is best on lower floors. I know that because although I've only been at that venue twice; the other time was when I saw Gotterdammerung in 2009 where I was in the standing room in the back centre of the orchestra level and the sound was loud enough when the music was supposed to be loud. It made up for the fact that we'd lost the opportunity to see Placido Domingo sing Rudolpho in a Zeffirelli production of La Boheme because the car of the train we were in from Prague got detached from the rest of the train and leaving us abandoned for long enough so that when we arrived in Vienna we were too late to re-confirm our tickets. The 1st thing we did when we arrived in Vienna was to go straight to the opera house were our tickets literally being sold auction style outside the venue when we showed up. One of college students actually started crying, poor fella! But I was happy to see this Zeffirelli production of Turandot w Jose Carreras, Eva Marton and Katia Ricciarelli. Besides: I prefer the music to Turandot than I do La Boheme.
How you do run on my friend. 🤗
@@arnoldamaral7406 I'll bet you're fun at parties. BTW what did you think of the performance? Or are you just fun at parties?
@@arnoldamaral7406 Eat a rick. Better yet: one word by the same name and it doesn't start with the letter r.
TMI!
You're so lucky to have seen this live!!!
Están los tres solistas bien de voz...la Marton muy bien...la Ricciarelli "todavía" bonita voz para Liu...y Carreras bonito timbre aún sin ser una voz tan heroica y apropiada para hacer un Calaf de categoría...en conjunto buena función con muy buena imagen y sonido.
GENIALLLLLLLL BELLLLLISSSSIIIIIMOOOOOO.- FELICITACIONES
Breathtaking work thanks to all of you❤
Meraviglioso Carreras!!💙
Magnifique !!! L'Opéra à 1000% !
Que maravillosa
다시 없을 투란도트 그자체인
Eva marton! 귀한영상 감사합니다❤
di quest'edizione avevo le audio cassette che mio padre registrò dalla tv...poi ho acquistato il cd....credo sia il miglior live della Turandot come cast e direzione e regia
Marton Domingo in Met
Big better
@@davidlin2998 Domingo stona sul do di petto "gli enigmi sono 3..."
テープ録音されましたか。私もです。のちに、LP化され、私はトゥーランドット全曲の最初の聴衆になりました。話題になりましたね。現在日本では、CDの購入は困難です。そうですか、同時期に聴いて録音された方がここにいらした。奇遇です。音楽は世界を繋ぐ。とても今実感しております。ありがとう。💐
No,a mio parere la più bella è quella dell'aArena con la Dimitrova e Martinucci.
vero
Splendida esecuzione
Beautiful
Aside from the singing, the colors are so vivid in this 1984 CBS filmed production. They must have used Technicolor or a similar process for the film.
A spectacular performance! Turandot, Kalaf, Liu sing their role confidently and routinely. Orchestra has not intoned some notes very cleanly. The conductor treats tempos too slowly in some places, and in some notes too long. But you can hear a lot of positive differences from other performances. The conductor has studied the score well. Thanks very much!
圧巻のパフォーマンス！ Turandot、Kalaf、Liu は、自信を持って日常的に自分の役割を歌います。 オーケストラはいくつかの音符をきれいにイントネーションしていません。 指揮者はテンポを扱う場所によっては遅すぎたり、音符によっては長すぎたりします。 しかし、他のパフォーマンスとの多くの肯定的な違いを聞くことができます。 指揮者はスコアをよく研究しています。 どうもありがとう！
Eine spektakuläre Aufführung! Turandot, Kalaf, Liu singen ihre Rolle souverän und routinemäßig. Orchester hat manche Töne nicht ganz sauber intoniert. Der Dirigent behandelt Tempi an einigen Stellen zu langsam, manche Töne zu lang. Aber man kann viele positive Unterschiede zu anderen Aufführungen hören. Der Dirigent hat die Partitur gut studiert. Vielen Dank!
Eva Marton in top form. Wow.
Schwindelfreie Sägrinnen und Sänger mußten her. I love most the Ping -Pang - Pong scenes in this performence. Beautifuly conducted by Maazel. RIP.
Какой великолепный состав, золотой состав! Такого сочетания сейчас не услышишь, обязательно найдётся слабое звено. Одни звезды!!!!!
Costumi fiabeschi bellissimi !!!
Thank you for uploading. Have seen this production here, on RUclips, but this quality is better! 👏🏼👏🏼
Gracias por compartir esta maravilla.
❤❤❤Estoy feliz de encontrar esta joya. Muchas gracias ❤❤❤❤ Eva es adorable NUNCA he olvidado su voz , jamás olvidaré que la escuché cantar en vivo en el Liceu…maravillosa Eva. Gracias por compartir.
"In questa reggia": 1:02:16
"Nessun dorma": 1:30:55
"Tu che di gel sei cinta": 1:45:51
Thank you.
A young Carreras was a GREAT Calaf!!
It really was one of the most beautiful tenor voices.
@@pawdaw és volt még egy nagy tenor, NAGY Calaf; Salvatore Licitra
CARRERAS SEI GRANDE,BELLO,BUONO.
Marton and Carreras are great. All of the other singers are very good. The production leaves a lot to be desired. Too minimalist. The palace staircase looks like a airline stairway for a propliner.
My thoughts exactly
I think the real problem is Maazel's leaden, inflexible tempos.
Magnifique. Enfin une mise en scène comme il se doit dans un opéra. Tout est beau.
トゥーランドット(後藤洋編曲)
0:36 冒頭
3:06 D
3:22 E
4:03 F
6:51 G
1:06:00 R
1:16:12 P
1:30:55 M
2:06:10 T
2:07:57 V
es mi opera preferida y esta en particular es espectacular, con los trajes y la puesta en escena que ya no te dejan ver en los teatros como en el Liceu de Barcelona que apuestan por unas mierdas modernas que no las entiende nadie
Hay una puesta en escena moderna que me encanta. El Calaf es prescindible, pero Liú y Timur harían llorar a las piedras, y sobre todo la muerte de Liú es bellísima. Detesto eso de mirar feo cualquier reinterpretación de la puesta en escena. Mientras no alteren la música...
@@monainfame Yo detesto la alteración de la obra, Puccini compuso una ópera y a quien no le guste que componga otra. Si entiendes el idioma y estudias el libreto te das cuenta que no hay lugar a interpretación. Cómo un cuadro o como una escultura.
Muchas gracias
una maravillosa opera con reparto excepcional de la epoca
Que maravilla
Dobry Carreras, nie spodziewałem się 👌
なかなか良いバージョン!
OK
❤❤❤totalmente de acuerdo. Saludos cordiales
Magnificent
1:53:13-1:54:05 Puccini must have adored Handel’s oratorio choruses 😎
They do give the opera a monumental feel.
Scusate ma Come fa questo piccolo tenorino senza acuti, a poter cantare Calaf?? Oscenita' commerciale moderna!!!
이 귀한 공연을 공유해 주셔서 정말 감사드립니다!❤
Thank you
Thanks ☺️👌👌👌❤️💕
Thank you! 🥳🥳🥳
06/11/2023 listening♥
Marton at her best!
Ping, Pang, and Pong know what's up.
No one conducts the last scene like Mehta.
Ricciarelli
Carreras con tutta la buona volontà non poteva mai essere Calaf Tenore spinto con squillo. Un buon lirico con suoni e tonsille aperte , suono aperto. Nemmeno il buon Domingo , piu potente ma con difficoltà negli estremi acuti. Nessuno può battere il Calaf bronzeo e squillante di Corelli. Per non parlare una delle migliori Turandot , se non la migliore La Nillson ..
0:32
3:22
4:03
3:46
6:52
27:15
1:30:55
1:32:58
29:59 act1 finale
The singer of Timur is JOHN PAUL BOGART
Not Jena-Paul Berger
Thanks, corrected.
自分用
Vのソロ2:08:00
Carreras no es para semejante opera esta al maximo y no impacta en el personaje. el mismo ya de grande admitio que no tenia que cantar operas tan exigidas. El maximo exponente del rol de calaf fue Franco Corelli
0:37
A lot of spangles on them costumes.
Benissimo le voci, bellissima la regia, purtroppo i tempi musicali sono lentissimi, quasi involuti....
Pretty good singing, terribly clumsy stage direction
自分用
1:30:55
1:54:05
2:04:58
2:05:50
2:06:10
2:07:10
2:08:25
2:08:52
If this was any slower it would start going backwards
maazel right？always like this slow
Miód na uszy.
Fazit, nachdem ich´s zweimal live im Hause gehört habe: Die Auslotung der Partitur durch Lorin Maazel war atemberaubend. Ebenso Ricciarelli und der grandioseste Charaktertenor des letzten Jahrhunderts, Heinz Zednik, auf der Habenseite. Eva Marton und José Carreras in Partien, welche sie nie hätten singen sollen, rettungslos überfordert. Für welches Fach die Marton überhaupt passte, hab ich nie herausgefunden, ich hörte sie immer nur (Elektra, Eboli, Tosca etc. )verzweifelt brüllen. Carreras hat sich sogar verstiegen, in Salzburg "Radames" zu singen. Schade!
Callas war auch nicht für diesen Charakter. Nillson Ich weiß nicht ... Ich habe keine Lust, sie zu sehen. du hättest deiner Weisheit nach sagen sollen, welcher Sänger passt.
@@rafaellmata6083 Perhaps Hongkong 2018 and Teatro Colon 2019?! 1998 Eaglen and Virsouladze! Orange.
The sets designed for this was horrible - the two story stairway looked ridiculous - staging was awful - thank God for the magnificent music and voices.
Which year?
1983
👍
Calaf era pesado demais para Carreras.
32:24
0:38
1:27:20
Aki látta Frankó Zeffirelli rendezésben az operát, az nem tudja felejteni !!
As phenomenal as the casts were, it was way too slow it loses so much colour of the piece. No one can beat Mehta conducting this piece
49:53
メモ1:30:42
оооооооооо!!!!!!!!!!
2:07:50
1:49:00
1:51:10
Grandi interpreti ma il guaio e che devono confrontarsi con quei mostri che sono stati Corelli e Nilson , il miglior Calaf e la migliore Turandot di tutti i tempi.
2:06:30 自分用
opera singers can project their voice very far and loudly so when they sing face to face is the sound deafening for them? is marton deafened by carreras singing in her face two feet away?
Le voci sono tutte abbastanza adatte alla loro parte (ma in circolazione - oggi come allora - si possono trovare interpreti migliori, per ciascuno dei personaggi). I costumi sono discreti (anche se fanno spesso apparire il tutto un po' come un teatro di burattini, per non parlare dell'imperatore, che sembra appena uscito dalla sauna) ma le scene sono penose, in specie quella mostruosa scalinata che pare la scala mobile di un grande centro commerciale. Odioso poi il fatto che l'opera si interrompa ogni piè sospinto per dar spazio alla pubblicità!
Ha parlato la reincarnazione di Isotta!😂😂😂
@@siegfriedenea E Isotta che cosa c'entra?...
Eva Marton almost kill tenors with her high notes. You can hear a bit of Carreras in their high C together but Marton wins
❤❤❤Eva en vivo era extraordinaria…yo que la escuché en el Liceu…maravillosa….Saludos cordiales
The greatest (loudest) are Nilsson and Corelli of course. But this opera is more then this!
I've watched about half of this so far. This doesn't compare to the 1987 version with Martin and Placido Domingo. You can find most of it on youtube. It is fantastic! Martin sang better there as well.
❤😅
Gosto de Carreras mas em Turandot quem mais se destaca é Pavarotti ninguem cantou melhor que ele e Shutherland.